Angelika Ann Kammerer
Angelika Ann Kammerer
Angelika Ann Kammerer
Angelika Ann Kammerer
Angelika Ann Kammerer
Angelika Ann Kammerer

Angelika Ann Kammerer

Maybe it's because I'm doing so well at the same time as the world is getting crueler that I feel compelled to depict other people's suffering. With my interactive and sculptural installations, I want to draw attention to and advocate for those who are having a hard time. But sometimes it becomes too much when I search through all the facts about flight, violence or oppression before the artistic process. Then it's time to take a break and do something simple, like one

Maybe it's because I'm doing so well at the same time as the world is getting crueler that I feel compelled to depict other people's suffering. With my interactive and sculptural installations, I want to draw attention to and advocate for those who are having a hard time. But sometimes it becomes too much when I search through all the facts about flight, violence or oppression before the artistic process. Then it's time to take a break and do something simple, like a nature-inspired watercolor painting or a happy figure. I love to play and experiment with different materials, which also further develops my artistic expression.

"Maybe it's because I'm doing so well at the same time as the world is getting crueler that I feel compelled to depict other people's suffering. With my interactive and sculptural installations, I want to draw attention to and advocate for those who are having a hard time. But sometimes it becomes too a lot when I look through all the facts about flight, violence or oppression before the artistic process. Then it's time to take a break and do something simple, like a nature-inspired watercolor painting or a happy figure. I love to play and experiment with different materials , which also further develops my artistic expression."

Through painting, sculpture and sculptural installations, Angelika investigates social conflicts between cultural regulation and social morality. The works stimulate the viewer to new thoughts and provide the opportunity to question their own perceptions, perspectives and assumptions. With her playful installations, Angelika goes even further as they not only involve the viewer as a passive witness, but also interactively place them in the role of perpetrator or victim.